So, I finally saw Garfield and I…just kidding. It seems kinda pointless to write a post about Fahrenheit 911 since everybody has already chimed in with their two cents. I’ve read a ton of reviews and blog posts in my attempt to wrap my head around the film and I can’t say that I’m much closer to articulating my feelings about it that when I first left the theater. My favorite reviews of the film so far have been from Tom Tomorrow, Roger Ebert, David Edelstein and Fox News.
One of the complaints I’ve heard the most about this film is that it takes a lot of “cheap shots”, one of which is pointed out in this mixed review from Kevin Drum :
Finally, the last half hour of the film includes a piece of street theater in which Moore accosts congressmen on Capitol Hill and asks if they’ll try to get their sons and daughters to enlist in the military. It’s a brutally unfair question, but one that echoes a standard debating point of Hitchens and others: “Would you prefer that Saddam Hussein was still in power?” It’s a question that’s unanswerable in 10 words or less, and about as meaningful as Moore’s ambush interviews with congressmen.
So is Fahrenheit 9/11 unfair, full of innuendo and cheap shots, and guilty of specious arguments? Sure. But that just makes it the perfect complement to the arguments of many in the pro-war crowd itself. Perhaps the reason they’re so mad is that they see more than a little of themselves in it.
If anything, I think the tone of this movie was so different from his earlier work that the two “gonzo” style scenes felt out of place. Personally, I don’t see Moore’s “ambush” as any more cheap than the earlier scene of him reading the Patriot Act from an ice cream truck. He wasn’t really expecting Congressmen to sign up their kids anymore than he was expecting them to sit on the curb and listen to the text of a bill they’d passed without reading. This was just one of those “make powerful people look like buffoons” scenes that’s been a staple of motion picture comedies since Chaplin’s tramp kicked a cop in the butt.
Upon reflection, one scene from the film did rub me the wrong way a little. In the scene with Lila Lipscombe and her family sitting around the living room, when she cries “Why did this happen?” (or something like that), Moore immediately cuts to a Haliburton montage. That edit didn’t sit well with me at all. Maybe it’s because I find the whole argument that the war was about nothing but oil and money to be a bit simplistic.
Yeah, I think the fact that Iraq sits on such a huge oil reserve was one of the primary motivations for the war, but I think an equally strong motivation was the neoconservative obsession with getting rid of Saddam despite the evidence that he wasn’t a threat to us. Either way, I think generating profits for Haliburton was a secondary concern at best.
That aside (and it really is just a minor complaint), I think Fahrenheit 911 is one of the most patriotic films I’ve ever seen. By keeping himself out of the spotlight this time around, Moore has focused more on the lives of our soldiers, their families, and the Iraqi people than we’ve seen in the last year and a half’s worth of cable news puff pieces. In the end, regardless of which side of the aisle you sit on, this movie should provide something to piss you off and make you cry. Considering how crucial this upcoming election is, that’s exactly what moviegoers need right now. If you haven’t seen it yet, you’re missing out on one of the most rewarding moviegoing experiences that’s come along in a long while. If you have already seen it, reccomend it to your conservative friends and relatives.