Billmon’s got a depressing point about Al Gore’s movie :
But there is something tragic, even a little pathetic, about Gore’s stubborn faith in the ability of facts and reasoned argument to save the world. The scenes of him schlepping through airports – alone, laptop in hand, on his way to yet another city to show his slides to another room full of college students or environmental activists – hit the edge of bathos. They make Al look too much like Willy Loman. “Attention must be paid to this man.”
This is the Al Gore the Washington political press corps never seemed to grow tired of mocking: The earnest wonk who takes serious ideas seriously, and assumes his audience does, too. Up on stage, in front of such an audience, Al is clearly in his element. He’s articulate, funny, even endearing – as when he rides an accordion lift to the top of the viewing screen to illustrate the soaring rate of increase in atmospheric CO2. It’s a reminder that Al’s at his best when he’s being himself, instead of imitating Bill Clinton’s folksiness (which only made him look like Salieri next to Clinton’s Mozart) or playing the know-it-all bully of his first presidential debate with Bush.
But in our increasingly debased political and cultural climate, just letting Al Gore be Al Gore isn’t commercially viable, not even in an art house documentary. Which I suppose is why the filmmakers felt compelled to weave in Gore’s by-now familiar psychodramas – the same teary-eyed stories he used to tell (or exploit, depending on your point of view) in his political speeches.
. . .
Like Gore’s campaign handlers, the makers of AIT apparently felt the need to “humanize” his message, instead of letting the science speak for itself. But to me it only highlighted the long odds against what Gore is trying to do, which is to speak the language of reason to an increasingly irrational, post-Enlightenment world.
I hate to think that it’s come to this, but it really does feel like the notion of making a making a cogent argument using logic and unquestionable facts seems…naive.
If you wanted to remind the world that 2+2=4, these days you might have to deal with the Arithmetic Study Society who insists that there’s growing evidence among mathematicians that 2+2=5. We don’t know for sure yet, they’ll tell us, so until we’ve got all the facts, the brainless media will do their best to play the centrist role and think that saying 2+2=4½ is a responsible position. After all, they can’t uphold their journalistic duty to avoid objectivity if they choose sides in political battles.
Of course, this just enables the biggest problem of them all : the intellectual laziness of the American public. People want to feel smart, but they don’t want to do all the work of figuring out exactly why they think the way they do. This is the key to the “attack your opponent’s strength” political technique that’s worked so well over the last few election cycles. Supporters of draft-dodger Bush attacked war hero Kerry’s military record, GOP fluffer Lieberman insists that challenger Lamont voted like a Republican, etc. Rather than look into these allegations to see if they hold any water, the public just brushes them aside conceding that both sides are bad. The whole point of Swiftboating is to dillute your weaknesses, not hurt your opponent, but the media never bothers to point this out because they’re as intellectually bankrupt as they public they’re supposed to be informing. So when people cling to the simplest explanation and find themselves in agreement with the conventional wisdom jackasses on Hardball, they feel like geniuses for it and the underlying problem only grows worse.
So count me with Billmon. I’d love to think that An Inconvenient Truth will change things, but we really are in an era in which the “truth” is continually up for interpretation. Even the title of the film subtly acknowledges this. Why worry about AN inconvenient truth when there are other truths out there that are more satisfying?