Please Please Me

For those of you who don’t know me personally, let me warn you. I’m a big Beatles fan. No, strike that, a huge Beatles fan. I’m not one of those fans that wears nothing but tie-died t-shirts that say “Imagine” or someone who has Beatle versions of everything from toothbrush holders to salt & pepper shakers to underwear. (I’ve met those kinds of people before and they’re craaazy.)

No, I’m the kind of Beatles fan that tries to collect as much of their music that I can. Since high school I’ve collected at least 100 CDs of various bootlegs. For that reason I’ve been paying a lot of attention to the news that the Beatles are finally releasing the original version of their Let It Be album (as I mentioned in this post). Seeing Kevin Drum’s post on this makes me realize that I’ve been meaning to post something on this subject for a while now. In short, this release, like just about everything they’ve done over the last 30+ years, is a complete screwup.

In the 33 years since Let It Be was released, there have been numerous bootlegs of the original” version of the album. As Apple’s official press release notes, the upcoming release is an attempt to release the album “as nature intended” :

When The Beatles first set out to make the album in 1969, they intended to record an album that would be a return to live performance of just the bare necessities of the band, no studio effects or overdubbing of voices or instruments would be allowed. However, caught in the turmoil of the break-up of the band, the album was re-produced by Phil Spector and never released as The Beatles had originally meant it to sound. Until now.

Let It Be?Naked?s track listing differs from the 1970 release; background dialog, ?Dig It? and ?Maggie Mae? have been taken off the album and ?Don?t Let Me Down? has been added to the running order, which now is as follows: Get Back, Dig A Pony, For You Blue, The Long And Winding Road, Two Of Us, I?ve Got A Feeling, One After 909, Don?t Let Me Down, I Me Mine, Across The Universe, Let It Be.

Let It Be?Naked will be issued together with a bonus fly-on-the-wall disc that features extracts from tapes of The Beatles at the time of first making the Let It Be album and movie in the Sixties.

The 20-minute bonus disc is a unique insight into of The Beatles at work in rehearsal and in the studios in January 1969.

Sounds pretty cool, right? Well, yes and no. Any new release by the Beatles is cool, but like so much that they’ve released since their breakup, this is a pretty half-assed effort.

There have been a few different mixes of the Get Back album that have laid claim to being the official de-Spectorized version. Of the many versions that have circulated, this is the most common tracklisting :

1. The One After 909 (Lennon/McCartney) 3:06
2. Rocker (Lennon/McCartney/Harrison/Starkey) 0:46
3. Save The Last Dance For Me (Pomus/Shuman) 1:19
4. Don’t Let Me Down (Lennon/McCartney) 4:26
5. Dig A Pony (Lennon/McCartney) 3:45
6. I’ve Got A Feeling (Lennon/McCartney) 2:52
7. Get Back (Lennon/McCartney) 3:08
8. For You Blue (Harrison) 2:46
9. Teddy Boy (McCartney) 3:41
10. Two Of Us (Lennon/McCartney) 3:29
11. Maggie Mae (Traditional) 0:41
12. Dig It (Lennon/McCartney/Harrison/Starkey) 4:21
13. Let It Be (Lennon/McCartney) 3:55
14. The Long And Winding Road (Lennon/McCartney) 3:40
15. Get Back Reprise (Lennon/McCartney) 0:42

Notice anything different from the tracklisting in the press release? Where’s Teddy Boy, Rocker, and Save The Last Dance For Me?

What’s even worse is there’s only twenty minutes of bonus material on the second disc? Are they crazy? The Beatles spent a whole month having everything they did recorded and they could only scrape together twenty minutes of bonus material? There are more than fifty two-disc bootlegs of the raw session tapes circulating in the bootleg community. Granted, those collections are 95% shit, but there’s at least another disc worth of good material there.

If I had my way, I’d release the Get Back album in two versions. The one disc version would simply contain the tracklisting mentioned above with the original artwork (that was later used for the Beatles Red/Blue albums). A more expensive “deluxe” version would be a three disc collection that contains the original album, the complete rooftop concert, and a third disc full of outtakes and alternate versions.

So why the skimping? There have been whole books written about this subject alone, but the simple answer is that the Beatles (1) still can’t get along and (2) care more about their “legacy” than making a lot of money. In the effort to get everything done “just right”, the Beatles have squandered many, many opportunities to make a ton of money and release some of the stuff that’s been circulating as bootlegs for years.

Among the releases that fans have been begging for, here’s a few that are no-brainers :

Remastering Their Entire Catalog - Did you realize that the only versions of the Beatles albums that are available commercially are the ones that were hastily mixed and dumped on CD in 1987? While every other popular band from the era has had multiple remixed and remastered versions of their albums released, Beatles fans are still waiting for Apple to correct the mistakes they made back in 1987.

The Mono/Stereo Versions - Did you know that there were stereo and mono versions of all of their albums released during the sixties, often with different takes and overdubs. While the Zombies and the Beach Boys have done the right thing by releasing CDs with both versions of their classic albums, the Beatles still haven’t released the mono version of Sgt. Pepper on CD (despite the fact that their mono version was the “true” version in their minds).

Complete Ed Sullivan Performances - For many Americans, the first time they ever heard the Beatles was on the Ed Sullivan show. Despite this, these performances have never been issued on CD (okay, never officially released).

Live at the Hollywood Bowl - This already came out in the seventies. Where’s the CD?

The Decca Audition - Prior to being signed to EMI, the Beatles performed a great audition for Decca records that contains the only recordings of some of the songs they often played live.

Songs They Gave Away - Did you know that some big hits from the 60’s were given away by the Beatles to other artists? Bad to Me, Come and Get It, and World Without Love were all written by Paul or John. Why hasn’t this stuff been collected?

I can’t believe I’m actually saying this, but I wish the Beatles were as money obsessed as the rest of the music industry.

And now back to our regularly-scheduled Bush bashing…


posted by greg on September 19, 2003 @ 10:28 am

4 comments

  1. I absolutely agree with Greg. Let me add that there’s no point in LIBN being a 2-cds set. Can’t they put all the stuff in one cd, and save us some money!!??

    I think that there’s good music waiting to be released, and hope it will be included, but I guess my wish won’t come true. For instance, what about Watching Rainbows, Woke up this morning, If tomorrow ever comes, etc., all of them original compositions that could easily be edited to make good performances (I did it myself, using just the Cool Edit). I’m begining to think that maybe we (worldwide fans) should get together and try to make projects for Apple to release, and give them the instructions on how to do it. Perhaps they will agree, since the “hard” thinking work will be already done, and all they would have to do is make it available. Maybe some internet poll, I don’t know…

    Well, these are my thoughts on the subject right now…
    By to all

    Javier from Argentina

    Comment by Javier — September 20, 2003 @ 10:09 am

  2. All true and we set yet another bit of convenient revisionism. Dig should be there in its glory…its a great tune and its full version is a highlight of the movie.

    3 of the Beatles intended this record to come out as it did post-Spector. They were happy. It will be interesting to see how much re-mixing and editing has been done to this “as nature intended” release

    Comment by Simon — September 20, 2003 @ 11:23 pm

  3. You know, it’s weird. I agree with you on much of this. I would love to see Get Back officially released. But I am conflicted.

    I remember when new Beatle records were coming out in the 60’s. I remember the progression from Rubber Soul to Revolver to Sgt. Pepper to Magical Mystery Tour to the White Album.

    I can remember being initially disappointed with Revolver - wanting VERY much for them to continue what they started with Rubber Soul (I eventually got into Revolver over the next month, and got to love it, except Tomorrow Never Knows - that tool longer and now it is one of my favorite all-time Beatles tunes).

    I didn’t understand Penny Lane and Strawberry Fields the first few listens. After about twp weeks, I got those and expected more on Sgt Pepper. I got what I hoped for. Then, All You Need Is Love/Baby You’re A Rich Man was released and I thought it was terrible, comparitively (again, this Baby is one of my faves, and I love AYNIL).

    Next was Hello Goodbye/I Am The Walrus, which I loved immediatley (the seeds they had sewn with Penny Lane/Strawberry Fields had grown into a love for this kind of music). SO, sometimes I loved what I FIRST heard on a brand new Beatles LP or single. And sometimes I hated it.

    I guess what I am trying to say is that NOW, I love it all. THEN, I was often a little let down BECAUSE of my expectations. In time, I realized that THEY knew better than I where they were going, and how to get there. Had they done what I wanted them to, I wouldn’t be here typing this now, as their legacy would have been not nearly so important.

    So, I am sort of enjoying the Beatles being interested in giving us new glimpses at the way THEY see their legacy. I loved the entire Anthology project (where we got a few unexpected gems tossed our way). I loved the remixed and 5.1 surround stuff for Yellow Submarine.

    There’s plenty of bootleg stuff out there to satisfy EVERY Get Back freak (me included).

    But to have another chance to see it the way the Beatles see it is, to me, pretty cool.

    Comment by Bob Martin — September 21, 2003 @ 9:14 pm

  4. I need a talent show project idea now please with a list of things to do.

    Comment by Brad Warner — December 12, 2003 @ 8:19 am

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