About The Site

Y'see all those entries below this one?? Ignore them. I did a search for all the entries at my better, cooler blog that use the term "Superman" and copied them over here so I'd have some content to design against.

By the way, the opacity trick I did to the content tables seems to be screwing with the images within posts. If any of you CSS gurus out there know how I can fix this let me know. (I already tried .panel img {...}, but that didn't work).

The Man of Steel

I really want the new Superman movie to be great, so I'm hoping this is just a bad photo and not an indication that the movie's going to suck :




Though I've got some nitpicky fanboy problems with the costume design1, I'm going to withhold judgment for now. After all, it's nearly impossible to wear a Superman costume without looking like a dork. Even the late, great Christopher Reeve looked goofy in some of the early publicity stills. Compared with some of the awful changes that have been made to the costumes in other superhero movies2, this one isn't that big a deal.

The bigger concern for me is whether or not Bryan Singer is able to pull off a Superman movie. He did a great job with the X-Men movies, but that's easy compared to the difficulties that a new Superman movie would pose. Superman doesn't have the angst of Batman or the complicated relationships of Spider-Man, he's just an all-American boy scout in tights. In the hands of the right screenwriter and director, there are plenty of interesting ways to approach the character, but unfortunately most people think Superman is bland and uninteresting. I won't bore you with my ideas on how to make a good Superman movie, but lemme just say that if they fall into the trap of trying to make Superman "cool", this movie will suck.


1 : The "S" insignia is a little too "badass" for my tastes, the darker cape looks kinda dumb, the shorts seem like they're deliberately cut low to show off this dude's six-pack, and the curl in his hair looks like it was glued in place.

2 : When George Clooney played Batman, the suit was made of rubber, tinted purple, and had nipples.

A Kung-Fu Hippy From Gangster City

Oh. My. God. It's like somebody is shitting on my eyes (via Tom) :

Hoping to breathe new life into its animated Looney Tunes franchise and prop up the WB television network's slumping Kids' WB line-up, Time Warner Inc.'s Warner Bros. is planning to launch a new cartoon series this fall based on "re-imagined" versions of Bugs Bunny, Daffy Duck, Tasmanian Devil, Lola Bunny, Road Runner and Wile E. Coyote.

Warner Bros. has created angular, slightly menacing-looking versions of the classic Looney Tunes characters for its new series, dubbed "Loonatics" and set in the year 2772. Names for the new characters haven't been finalized, but they are likely to be derived from the originals: Buzz Bunny, for example. Each new character retains personality quirks of the original. The new Bugs, for example, will be the natural leader of the Loonatics' spaceship; the new Daffy will remain confident that he is the one who should be in charge.

Brace yourselves for the picture everybody....



BOO-YAHHHH!!

This reaction from Cartoon Brew pretty much says it all :

A friend last night made this perceptive comment about the new Looney Tunes-inspired TV series LOONATICS: "Warners has already desecrated these characters so many times, why the hell would anybody care at this point?" That pretty succinctly sums up how I feel about the new series.
[. . .]
That having been said, I'm still pissed about this project. But for a wholly different reason. Pissed, because for every misguided show like LOONATICS, we lose out (and Warner Bros. loses out) on discovering the next Chuck Jones, the next Bob Clampett, the next Tex Avery, the next individual who could be creating the Bugs Bunny's and Daffy Duck's of our generation. There are countless modern creators out there who have ideas...who have something to say...and it's a slap in the face of every talented artist working in this business whenever a major animation studio chickens out like this. Shoving a tired rabbit down America's throat for the umpteenth time will never reap WB the rewards of giving America a great new cartoon star, an honestly-created cartoon that speaks to our time and place. But why take risks, especially when you can be successful by playing it safe: successful like BABY LOONEY TUNES and its sweet ranking of 104th in children's programming or LOONEY TUNES: BACK IN ACTION and that delectable $20.9 mil it accrued in North American box office receipts.

To display anger over LOONATICS means that Warner Bros. has won yet again. The executives love hearing affirmation that people still care about these characters; when somebody likes the cartoons enough to voice concern, they know their job is safe. It's not like they've created any cartoon characters of their own that audiences actually give a fuck about. These classic characters are their lifeline to a weekly paycheck. So let me be the first to say to Warner Bros.: take Bugs and fuck him however many ways you want - make him anime, give him pants and a spongy complexion, pair him up with Snoop Dogg and produce a Broadway rap-musical...I just don't care.

Somewhat along those same lines, my good friend Josh had this interesting question to those who are offended by X-treme Looney Tunes :
Not that I think that Loonaticz-X is a good idea or should be done, but when does a character gain folklore status? When is it okay to start reimagining, interpreting, adapting or whatever they want to call it.

Dracula was created in 1897 and has had many adaptations over the years and I think most everyone on this list is pretty keen on several of those interpretations.

Batman is even younger and I like both Frank Miller's reimagining, as well as some of the countless other offshoots and adapations. With any of these characters there have been misses and hits.

My immediate thoughts are that Batman, Dracula, and (my favorite) Superman are more archetypes than characters at this point. Unlike Bugs Bunny, the characters above don't really have much of a personality. For that reason, Adam West's campy Batman, Bob Kane's Shadow-inspired original, Frank Miller's postmodern antihero, Tim Burton's movies, and the Timm/Dini animated series can all exist side-by-side. Bugs Bunny, thanks to the brilliant voice-work of Mel Blanc, has a strong enough comic persona that the character should be held in the same regard as Charlie Chaplin, the Three Stooges, or Groucho Marx.

Then again, Josh brings up an interesting point. At what point do characters graduate into the realm of folklore? When everyone who cared about the original dies or stops caring? Or does it just depend on the originality of the reinvented version?

Political Superheroes

As someone who loved The Incredibles and has been known to spend way too much time analyzing pop culture (and comic books in particular), I gotta say this whole line of criticism is completely absurd :

But it’s hard not to be suspicious of the winners. Any winners, for that matter, and that includes The Incredibles. While The Incredibles’ battle against conformity and mediocrity screams anti-oppression to some, it’s obviously Randian to others.
. . .
The message of The Incredibles—reported everywhere!—was that the chosen few should have the right to exercise their powers over a wide, bland majority of fans and mediocrity-worshippers, and save the world from a bitter, deadly evil.

It’s very much in the eye of the beholder, but at the moment, to the butt-kicked, discouraged liberal team, the Pixar-built shiny, muscle-bound cartoon characters seem to come very much from the other team.

"And what is The Incredibles?" said Richard Goldstein, author of The Attack Queers: Liberal Society and the Gay Right. "It’s really a movie about people sort of bursting out of this model of decency and concern for others, and all of those values that now get labeled politically correct, and bursting forth with their true strength and power, like an animated Hobbes. I guess the bet is that the rest of the world, looking at this spectacle, will actually just say, ‘Holy cow—we’d better do what they say!’ And this Hobbesian idea will be proven correct."

"It’s kind of ironic that superheroes now have these fascist, right-wing connotations," said Ted Rall, the editorial cartoonist for United Press Syndicate and author of Wake Up, You’re Liberal! How We Can Take America Back From the Right. "The right has stolen the flag and our superheroes, too."
. . .
The Incredibles’ storyline, not unlike most current superhero storylines, will warm the hearts of the Republican elite, and also the scared, ordinary moviegoing folks emboldened by America’s long-time military prowess. Mr. Incredible could be Dick Cheney himself, or Donald Rumsfeld, big-bellied and in mothballs during the Clinton years, watching the world go to hell while nobody needed them, tortured and beat up by the little people and the bureaucrats all around them.

I honestly don't see how these weak-ass complaints about The Incredibles wouldn't apply to the entire superhero archetype itself. The cynical view that superheroes are simply powerful individuals who use their power to try to make the world fit their vision may seem like a right-wing value now, but five years ago (when this movie was written) it was seen as a liberal value. Should I bother trying to dredge up one of Bush's "nation-building" quotes?

If you really want to over-think The Incredibles, the movie is a satirical look at the superhero genre sprinkled with little lessons about being true to yourself, the importance of family, etc. Pretty non-controversial stuff if you ask me. Apparently though, somebody still reeling from last week's election results and unfamiliar with how long it takes to make animated movies decided that The Incredibles is a right-wing fantasy about neoconservative supremacy.

Despite the giant chip on the shoulder of the writers, which pretty much ruins the article, there is a great examination of my favorite superhero courtesy of the always-great Chip Kidd :

What is a liberal superhero? The last time anyone looked, superheroes were serving the weak and the helpless, not themselves.

According to Chip Kidd, the co-author of The Golden Age of DC Comics: 365 Days, Superman—created by Jerry Siegel and Joe Shuster in Cleveland, Ohio, in 1938, during the Great Depression—was a liberal hero in his original incarnation, shy about his abilities and eager to do social good during the New Deal, when the general ethic sought a strong man willing to protect the weak, not so much to show off his powers as to serve the general welfare.

"The charming thing about the basic superhero myth, as it was conceived during the Depression, was if you’re an omni-powerful being or something like it, your responsibility is to serve the world, not to rule it," said Mr. Kidd. "The United States, as Bush runs it—he probably thinks he’s doing that, but he’s not. He is trying to rule it, in a way. And that’s where it differs from what I would call a superhero ideal."

Mr. Kidd may be partisan, but he’s not wrong in the sense that it’s almost impossible to image Superman as a Republican in the 1930’s or 1940’s. Superman was definitely a Roosevelt man. Batman may have been more up for grabs; it’s possible Commissioner Gordon was in close contact with gangbusting D.A. Tom Dewey.

Even then, though, I think it's a mistake to let partisan politics get too wrapped up into superheroes. Just as it's wrong for some on the right to lay exclusive claim the the flag, neither side should claim that Superman is the epitome of their political beliefs. Superman may embody ideals that are almost entirely absent from our current President, but that doesn't mean that he somehow stands against traditional (as opposed to modern) conservatism any more than he's a liberal everyman. Superman, in my view, stands as a patriotic ideal in much the same way that Uncle Sam does.

Superman Vs. The Legion of Doom

Aren't you tired of politicians politicizing Christopher Reeve's death? I'm not talking about mentioning Reeve in context with the issues he's spent the last ten years of his life fighting for, I'm talking about cowardly bullshit like this (via The Raw Story):

L.A. Weekly has learned that, just a day after the actor’s death, one or more Republican senators put a surprise hold on the Christopher Reeve Paralysis Act. The uncontroversial legislation had been expected to sail through committee and then the Senate as easily as it had the House of Representatives where it passed 418 to zero last week. Monday’s action was beyond cruel; it was like opposing Mom and apple pie.

Congressional sources confirmed to L.A. Weekly Tuesday that the hold was placed on the legislation from the Republican side of the aisle. Democratic committee members led by Senator Edward Kennedy are trying to find out which Republican senator or senators sandbagged S. 1010. The way the Senate system works, any senator can delay a bill without accountability because anonymity is assured.

“We’re shocked,” a source inside the Christopher Reeve Paralysis Foundation told L.A. Weekly on Tuesday. “We had been told the bill was going to pass the Senate, but then the Republicans put a hold on the legislation. We heard it was because Chris has been too outspoken on the stem-cell issue. That was the trigger.

“So it would have passed if Chris hadn’t died.”
. . .
Reeve’s S. 1010 is identical to the already passed HR 1998, aimed at enhancing and furthering research into paralysis and improving rehabilitation and quality of life for those with spinal-cord injuries. Even so, one or more Senate GOPers made it a casualty of George W. Bush’s mission to confine stem-cell research to a paltry few and inadequate lines despite the fact that Reeve’s legislation had nothing to do with that issue. That’s worth repeating: The thespian’s bill had nothing to do with stem-cell research. Not only did the legislation have bipartisan co-sponsorship, Reeve’s foundation cited the support of Bush cabinet member Tommy Thompson, the Health and Human Services secretary.

What kind of asshole would block a bill that has universal support in order to spite a dead man? I wonder if the GOP Senate leadership has any more plans to dance on Christopher Reeve's grave? Perhaps as an encore they could make it illegal to have wheelchair ramps at polling places or just repeal the Americans with Disabilities Act altogether.

Comic Book Movies

The day after seeing one of the best comic book movies of all time, I find out that my favorite comic ever is headed to the big screen courtesy of the Thomas Kinkade of moviemaking. Dammit.